Taking a break from Brexit Fay Young finds subversive mischief in the poetry of Edinburgh Makars, as performed in Edinburgh’s Poetry Garden (aka St Andrew Square)
What does a passport reveal about the holder – or they country they come from? Fay Young finds an unexpected connection between her new Irish passport and the revolutionary Russian poet Vladimir Mayaokovsky
This week’s Sceptical Scot poetry post is Hopscotch, by Nadine Aisha Jassat, a powerful, gut-churning challenge to gender-based violence.
No formula for winning the Autumn Voices poetry prize. Just write from the heart, read it aloud to check the sense and sound – and make sure you are over 70.
On yet another day when headlines of old and new media hammer home the madness and mayhem of 2018 politics, here’s a chance to let different words swirl and swell with Rachel McCrum’s Glassblower Dances, Poem of the Moment
Travelling light, I’m sitting on the train when I remember that last minute packing left no time for this month’s Sceptical Scot poetry blogpost. A routine check of essential documents finds an answer. Irish passport to the rescue. The Irish passport is indeed a very fine thing. Not only is it the symbol of continuing […]
“British racism has evolved. We no longer see gangs of racist folks roaming the streets. They now wear suits and ties
Some form political parties…” Benjamin Zephaniah’s poetic analysis of institutionalised racism has particular resonance in the aftermath of the Windrush scandal.
Is winter never going to end? Seeking hope in poetry, Fay Young finds a kind of answer in Christina Rossetti’s poem Another Spring, whose sad-sweet longing seems to capture the mood of the moment.
‘How often are citizens actively included in the decision-making? For Haringey, read those parts of Edinburgh, Glasgow, Dundee and every other vibrant city that attracts the developers’ eye’. Fay Young on the key urban question: how can people reclaim the city landscape?
The power of words was the theme for this year’s Holocaust Memorial Day. Gordon Munro reports on how Jewish poets/authors and others wrote about and recorded the (hidden) atrocities occurring in 1942 onwards and asks today’s governments to match fine words with the right deeds to prevent any repetition.