‘Yet while many continue to play up the revolutionary aspect today, there is no evidence it was anything more than a legitimate demonstration.’
How Scotland’s premier banks crashed the economy: ten years on
To mark the tenth anniversary of the financial crisis, Sceptical Scot’s new series focuses on home-made follies; the extraordinary mistakes made by two once revered and typically prudent Scottish institutions: the Bank of Scotland and the Royal Bank of Scotland.
How The Beano survived war and web to reach 80
‘During World War II, The Dandy and The Beano became important propaganda tools in the fight against Nazism and Fascism. Adolf Hitler, Hermann Göering, and Benito Mussolini were lampooned in each comic, and copies of The Beano were sent to soldiers serving overseas to boost morale.’
How to combat antisemitism and protect freedom of speech?
‘The way forward for people of goodwill who genuinely want to solve the conundrum – combating antisemitism while protecting free political speech – is to welcome the NEC Code as the latest incarnation of a living document that constantly requires work’: Brian Klug
Oscar Marzaroli: Scottish snapper
‘This must surely be one of the most extraordinary collections of photos of 20th century Scotland, and Glasgow in particular.’
Why private alternatives to NHS cost so much more
‘I don’t mean to paint the NHS picture as rosy but, in reality, publicly funded healthcare is more efficient and more equ’itable. The UK is heading for a total health bill of £200bn per annum, but even that is actually great value for money.
England’s southern North
‘Clearly, there are significant variations in economic and cultural output within the north of England. Before our very eyes, a new north-south divide is emerging, within what was previously understood as “the north” itself.’
Rudolph von Ripper: artist eyewitness to Nazi terror
Eyewitness artists’ accounts of brutality in Nazi concentration camps are extremely rare. Sian Mackay describes her discovery of Rudolph von Ripper’s forgotten portfolio, work that deserves to stand alongside the art of his contemporaries Otto Dix, George Grosz and Käthe Kollwitz.
The ‘accepted’ rise of fascism
An artist’s eye-witness account of Hitler’s first concentration camp where academics, artists and political opponents of Nazism were imprisoned and tortured. An extract from Von Ripper’s Odyssey, Sian Mackay’s remarkable biography, gives a chilling insight into public acceptance of Hitler’s rise to power.
False goals and impossible expectations
In Part 3 of his essay the author urges an end to utopian thinking: ‘Should we condone people like my father who yearn for Utopia and who believe we should give planned perfection one more try? No, these people are endlessly sailing their boats towards a non-existent goal and are making themselves and the rest of us unhappy.’