Then I’ll do the lights, fill the lamp with oil,Get coal from the shed, water from the well;Pluck and draw pigeon, with crop of green foilThis your good supper from the lime-tree fell. Lynette Roberts Poetry has played an important role in the history of Wales. From the medieval courts, to the ongoing National Eisteddfod […]
‘Yet while many continue to play up the revolutionary aspect today, there is no evidence it was anything more than a legitimate demonstration.’
To mark the tenth anniversary of the financial crisis, Sceptical Scot’s new series focuses on home-made follies; the extraordinary mistakes made by two once revered and typically prudent Scottish institutions: the Bank of Scotland and the Royal Bank of Scotland.
‘During World War II, The Dandy and The Beano became important propaganda tools in the fight against Nazism and Fascism. Adolf Hitler, Hermann Göering, and Benito Mussolini were lampooned in each comic, and copies of The Beano were sent to soldiers serving overseas to boost morale.’
‘The way forward for people of goodwill who genuinely want to solve the conundrum – combating antisemitism while protecting free political speech – is to welcome the NEC Code as the latest incarnation of a living document that constantly requires work’: Brian Klug
‘This must surely be one of the most extraordinary collections of photos of 20th century Scotland, and Glasgow in particular.’
‘I don’t mean to paint the NHS picture as rosy but, in reality, publicly funded healthcare is more efficient and more equ’itable. The UK is heading for a total health bill of £200bn per annum, but even that is actually great value for money.
‘Clearly, there are significant variations in economic and cultural output within the north of England. Before our very eyes, a new north-south divide is emerging, within what was previously understood as “the north” itself.’
Eyewitness artists’ accounts of brutality in Nazi concentration camps are extremely rare. Sian Mackay describes her discovery of Rudolph von Ripper’s forgotten portfolio, work that deserves to stand alongside the art of his contemporaries Otto Dix, George Grosz and Käthe Kollwitz.
An artist’s eye-witness account of Hitler’s first concentration camp where academics, artists and political opponents of Nazism were imprisoned and tortured. An extract from Von Ripper’s Odyssey, Sian Mackay’s remarkable biography, gives a chilling insight into public acceptance of Hitler’s rise to power.