‘Despite its closes and little streets, for locals Edinburgh does not often afford itself to hidden gems. Very rarely does it come up with something you haven’t seen before, or at least not heard of; seldom is there such a thing as a pleasant surprise that isn’t pre-booked in advance’: a meander through the festival art galleries
It may seem befitting the name for a nationalist to claim their nationalism is in some way fundamentally different from others—and yet we find ourselves presented with that conclusion, and without batting an eye. The BBC’s survey earlier last month on ‘Scottishness’ went a long way in demarcating the lines between what it saw as […]
‘School holds a fascination long after we leave it because it is so often the last time many people feel themselves emerging as individuals. By adulthood, the terms of who we are and what we decide to do are expected to be firmly set….And so when, in Edinburgh, we are asked: ‘what school did you go to?’ the question perhaps belies a deeper subtext: ‘who were you, before you made the choice?’
‘In the past twenty years, festivals are returning as we realise their place and value in society. It should be unsurprising that many of these ‘newly hallowed’ traditions should resemble Halloween in some way or other: the selection of a hallowed day or event, the putting on of costume, the establishment of rites and rituals. Even non-festive occasions, like protest, are increasingly moments for Halloween-esque performance and participation: a symptom of the appetite for a public sphere conducive to sociability like the one that, at some point, conjured the modern Halloween’.
Jeremy Corbyn’s recent tour of Scotland highlights an alarming ignorance of the United Kingdom’s constitutional makeup, and one that can only discredit the true value of any so-called ‘federal’ arrangement the Labour party may so wish to conjure. The biggest gaffe of Corbyn’s five-day stint, much reported by the press (and most glaringly omitted by […]
\The boundaries of possibility are set before we open our mouths. The exhibition space becomes no longer filled with art, but whatever happens in there remains art all the same.’
” Meanwhile, the SNP will hope that the request for #indyref2 will hold renewed credence. Or perhaps May will use any possible gains in Scotland as an excuse for maintaining her current rebuff.”
“Except for a brief cameo of the Parliament building, you would be forgiven for not realising how much political upheaval there has been in Scotland alone since the first film was released—in 1996, before devolution—for there is a feeling of stasis throughout.”
“One thing is certain: to look at the future and see nothing but an impassable end is destructive in itself. Because, in reality, we’ve always known how the world ends – the same way it starts – with you.” A young man’s take on what’s next…
“Nobody really knows when they first heard, or heard of, Jimmy Shand. Like the force of gravity or your mother’s maiden name, you cannot recall a time before your awareness of his existence.” On ceilidhs, prom dances and growing up in Scotland.