Craig Angus takes a moment to dream. But whatever the result, Euro2020 reminds him how good it is to be there, among the crowd.
Here is truth that we need to hear and confront in this viral age. Gordon Munro finds it in new work by Ben Okri and Marianne Faithfull
‘Research estimates that by 2025, the IT industry could use 20% of all electricity produced and emit up to 5.5% of the world’s carbon emissions. That’s more than most countries’ total emissions bar China, India and the US’: the case for an internet powered by renewables.
Having lived with Coronavirus and all that comes with it for almost 18 months, can Scotland’s Euro 2020 campaign bring the nation together? Fresh from St Johnstone’s historic domestic season, Craig Angus see reasons for optimism.
“It’s the kind of elitist statement that rescues failed experimentation from the paper bin (or “recently deleted” folder) and forces the viewer to deny the evidence of their own eyes and join the art world and its enablers in nodding approvingly over the emperors’ new clothes.” In her first post here a young artist comments on a Tube makeover…
This tiny village (Diabaig), nestled at the foot of the Torridon mountains in Wester Ross, makes an interesting case study for the second homes issue that concerns many voters in the Highlands in the run-up to May 6. Should we regulate 2nd homes ownership?
What I love, still, more than anything, is a message from a friend saying ‘hey – you might like this’. Craig Angus shares
“In 2020, when the festivals were forced into vastly reduced online offerings, I thought of the laughter lost to coronavirus…50,000 hours of laughter. 5.7 years of laughter. All lost to the pandemic. If we can safely start to reclaim some of that laughter this summer, we should.
A doubly vaccinated Frances Allen ventures into the market place to meet the complex cultural attitudes of her adopted home: ‘a country which has a historic mistrust of vaccines.’
During August, a ‘can-do’ attitude from the City of Edinburgh Council and other gatekeepers to cultural provision creates the temporary illusion that any available space in the city can be a venue.
Morvern Cunningham makes the case for spreading cultural growth throughout the city all year round.