‘Now that the traffic engineers have had their say it’s clearly about time that the public, not the notionally public servants, have a say about this space. I still hold to the view that sculpture – and new work in particular , the 4th plinth idea – would work here.’
Substantial powers are held by Holyrood that could be used to build a strategy that would deliver on the promise made of Scotland becoming the “Saudi Arabia” of renewables. The opportunity and moment may soon be lost if not taken now.
Here is truth that we need to hear and confront in this viral age. Gordon Munro finds it in new work by Ben Okri and Marianne Faithfull
Councillor Gordon Munro. was suspended from the Labour group on Edinburgh City Council after refusing to back the SNP-Labour coalition budget in May. He makes his case in the week Scotland’s Accounts Commission released a strongly worded report about the fiscal challenges facing all councils.
‘If we get back to public performance in time the piece is tailor made to open next year’s Edinburgh International Festival – at its source is the same inspiration that reached out a hand to the vanquished of the Second World War and also led to the creation of the first festival in 1947. It would be apt too given that Max Richter studied at Edinburgh University’.
‘This will not be unique to Scotland’s capital but does illustrate the double bind that local government is in with COVID-19: tackling the problems created along with the cost of doing so with insufficient funding and still having to make cuts of £39m at the same time. This is where the unallocated monies and the underspend can be used especially now in this time of great need.’
‘He suffered from depression, remarking once that ‘I’ve written books and poems to self-medicate my depression’. Poetry as medicine for dementia and depression is why the passing of Willie Hunter footballer, poet and ambassador is a loss to poetry as well as those that knew him.’
Camus speaks for our era: ‘The time of the irresponsible artists is over… The freedom of art is not worth much when its only purpose is to assure the artists comfort‘. Katie Paterson’s work (Future Library) takes that observation and invocation to heart. Go see it however you can…
‘Without real and substantive change in council funding, both fiscal and legislative, then the only budget option for councils will be more cuts, fewer services, fewer workers.’
“Essentially, this is a democratisation of the arts that is most welcome.” Gordon Munro’s pick of exciting new work in Edinburgh Festival – at prices cheaper than Fringe shows.