{"id":14148,"date":"2021-11-28T17:59:52","date_gmt":"2021-11-28T17:59:52","guid":{"rendered":"https:\/\/sceptical.scot\/staging\/?p=14148"},"modified":"2026-04-18T19:34:31","modified_gmt":"2026-04-18T19:34:31","slug":"blow-winds-rage-sing-make-music","status":"publish","type":"post","link":"https:\/\/sceptical.scot\/staging\/2021\/11\/blow-winds-rage-sing-make-music\/","title":{"rendered":"Blow winds&#8230;rage, sing, make music"},"content":{"rendered":"\n<p><strong>Breathe in. And out.<\/strong>\u00a0<\/p>\n<p>Here, as Storm Arwen begins to blow over,\u00a0 comes a sonorous distraction from the airborne pestilence of Covid19 and its constantly evolving attacks.\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>httpss:\/\/www.youtube.com\/watch?v=YmMVHFLXAVE&amp;t=115s<\/p>\n<p>\u00a0<\/p>\n<p>The sound of the storm makes a strangely haunting music \u2013 the wind whispers, whistles and shrieks above a deep but tuneful humming bass \u2013 broadcast on the <a href=\"https:\/\/worldorgan.com\/wp\/\">World Organ<\/a> from the island of Jura.\u00a0<\/p>\n<blockquote>\n<p><span style=\"color: #ff0000;\"><em>[December 9: And as Storm Barra \u2013 not to be confused with Storm Boris \u2013 follows close behind, see below for a thrilling new performance on the World Organ.]<\/em><\/span><\/p>\n<\/blockquote>\n<p>This is an extraordinary creation by the musician, sound artist (and island crofter) Giles Perring who featured on Sceptical Scot in the early stages of the first lockdown in May 2020.\u00a0 That article \u2013 <a href=\"https:\/\/sceptical.scot\/staging\/2020\/05\/were-all-islanders-in-a-pandemic\/\">We&#8217;re All Islanders in a Pandemic<\/a> \u2013 made its way into print in the first edition of <a href=\"httpss:\/\/blackfordhill.bandcamp.com\/merch\/oscillations-issue-1\">Oscillations<\/a> published by the Edinburgh-based creative collaboration <a href=\"httpss:\/\/www.blackford-hill.co.uk\/about\">Blackford Hill.<\/a>\u00a0 Oscillations is described as a new journal looking at &#8220;art, music, architecture, poetry, travel and photography, more often than not connected to a sense of place.&#8217;\u00a0<\/p>\n<blockquote>\n<p>Giles was disarmingly frank. Live streaming held no real interest for the musician who runs a croft as well as a recording studio.\u00a0\u00a0He moved 14 years ago to Jura from London with his wife and two of their four children when the older two had started higher education: \u2018It was our chance to leap.\u201d Since then he had felt no need to \u2018consume culture\u2019.\u00a0\u00a0\u00a0Theatre, concerts, art exhibitions\u2026 they had become \u2018just another industry, financial transactions\u2019. <a href=\"https:\/\/sceptical.scot\/staging\/2020\/05\/were-all-islanders-in-a-pandemic\/\">We&#8217;re All Islanders in a Pandemic: Sceptical Scot May 2020<\/a><\/p>\n<\/blockquote>\n\n\n\n<p>At that time the World Organ was in its infancy: a mind boggling concept revealed in tantalising images on the mobile screen \u2013 &#8216;What can you hear?&#8217; asked Giles across the many miles between central Edinburgh and Inner Hebridean Jura.  I listened as hard as I could and, to be honest, the answer was &#8216;not a lot&#8217;. Even so, I tried again when Giles shared his first livestream.  It was a kind of zen experience: at dusk a solitary seagull calls out, a dog barks, a long silence and then a breeze stirs.  <\/p>\n\n\n\n<p>But today there&#8217;s no mistaking the sound of the storm.  Somehow, as the airwaves fill with anxiety and the known unknowns of the new <a href=\"httpss:\/\/www.who.int\/news\/item\/26-11-2021-classification-of-omicron-(b.1.1.529)-sars-cov-2-variant-of-concern\">Omicron variant of concern,<\/a> there&#8217;s something comforting about listening to the music made by a different natural force over which we have no control. <\/p>\n\n\n\n<p><strong>&#8216;Blow.&#8217; calls King Lear<\/strong>, in Scene Two, entering with the Fool  <\/p>\n\n\n\n<p>Blow, winds, and crack your cheeks! rage! blow!<br>You cataracts and hurricanes, spout<br>Till you have drench&#8217;d our steeples, drown&#8217;d the cocks!<br>You sulphurous and thought-executing fires,<br>Vaunt-couriers to oak-cleaving thunderbolts,<br>Singe my white head! And thou, all-shaking thunder,<br>Smite flat the thick rotundity o&#8217; the world!<br>Crack nature&#8217;s moulds, an germens spill at once,<br>That make ingratefu<a>l <\/a>man!<\/p>\n\n\n\n<p>There is, of course, something we could do about Covid as Gordon Brown once more calls for a global response: share the vaccine. <a href=\"httpss:\/\/www.theguardian.com\/commentisfree\/2021\/nov\/26\/new-covid-variant-rich-countries-hoarding-vaccines\">A new Covid variant is no surprise when rich countries are hoarding vaccine<\/a><\/p>\n\n\n\n<p>Meanwhile: Stay warm, stay safe and stay listening. <\/p>\n\n\n\n<p><strong>Update: December 9: Storm Barra, perhaps gentler than Arwen with melodic hints of the marimba and rattling rainstick percussion <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttpss:\/\/www.youtube.com\/watch?v=3n_VVWmc2S8\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>Featured image:<\/strong> pipes of the World Organ as shown in Oscillations One pages 34 and 35<\/p>\n\n\n\n<p style=\"font-size:em\"><em><strong>The first instalment of Giles Perring&#8217;s <\/strong>latest project is a large-scale eight-pipe organ played by the wind playing over Lowlandman&#8217;s Bay on the Isle of Jura, Scotland. It&#8217;s a progression of an idea he first tried as a studio recording technique in 1990.  You can tune into the livestream at www.worldorgan.com <strong>OscillationsOne and <a href=\"https:\/\/worldorgan.com\/wp\/\">WorldOrgan<\/a><\/strong><\/em><\/p>\n\n\n\n<p> <\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>there&#8217;s something comforting about listening to the music made by a different natural force over which we have no control. <\/p>\n","protected":false},"author":11,"featured_media":14149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[604,270],"class_list":["post-14148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-covid-19","tag-music"],"_links":{"self":[{"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/posts\/14148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/comments?post=14148"}],"version-history":[{"count":1,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/posts\/14148\/revisions"}],"predecessor-version":[{"id":18548,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/posts\/14148\/revisions\/18548"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/media\/14149"}],"wp:attachment":[{"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/media?parent=14148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/categories?post=14148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sceptical.scot\/staging\/wp-json\/wp\/v2\/tags?post=14148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}