Seeding success: a new Paisley pattern

“In 21st century Scotland, resources of renewal are found elsewhere. Today we’re here to learn how communities are transforming town centres – with the right amount of support from public bodies and private enterprise.” Paisley aims to be City of Culture – and more

T2 Trainspotting: back to what future?

“Except for a brief cameo of the Parliament building, you would be forgiven for not realising how much political upheaval there has been in Scotland alone since the first film was released—in 1996, before devolution—for there is a feeling of stasis throughout.”

Where does Scottish writing go from here?

“Nasty Women will showcase a wide array of female voices, many of them new writers, focusing on intolerance and inequality to cover everything from Trump’s America to pregnancy. Like Freight, the arrival of 404 Ink is a sign that when we talk about cutting-edge Scottish publishing, the small publishers are increasingly defining the scene.”

A fitting place for Joan Eardley

“Joan Eardley is finally assuming the status she so richly deserves(d): a great Scottish artists who belongs to the world.” She came to Scotland at 19, died tragically young at 42 in 1963 and, half a century later, is rated among the modern greats.

Creative cities: built on can-do culture

“Here’s to the kindling of generous can-do creativity in every town and city. It looks fun but it’s deadly serious too. In the turmoil of Brexit (along with wider global uncertainties), the healthy prosperity of city life is essential to the economy and social cohesion of nations.”

Hidden story behind Scotland’s art

‘Scotland invented Highlandism because its own culture had been ignored by London and suppressed by many leading Scots in the years after Union. Rejecting it is siding with Irvine Welsh’s Rent Boy in Trainspotting saying “it’s shite being Scottish”.’