Owen Hopkins’s book Lost Futures surveys the rise, fall and rise again of the reputation of British post-war architectural modernism, including iconic Scottish projects such as Glasgow’s Red Roads Flat and Hutchenstown C, the Cockenzie Power Station and St Peter’s Seminary.
Like millions of other Bowie fans I find myself listening to his music more than ever since he died a year ago today….it continues to offer consolation, not only for the hard fact that we shall hear no more from him, but for the particular challenges of my own life. Why should this music, so often abstract, glacial, detached, obscure and mockingly ironic, hold such a powerful emotional appeal?
Though there is fierce disagreement about the extent of any Marxist revolutionary incursion into Jeremy Corbyn’s Labour there is less dispute – for both his supporters and opponents – that it is bad news. For most, it seems, Trotskyists are simply beyond the pale, distinguished by an unmistakeable whiff of sulphur. But why, exactly?